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Dinah Shore made the best-known version of this song, recording it twice.She first introduced it in the Universal Studios film "Follow the Boys" and taking it to the top of the charts (her first #1 hit) for four weeks and reaching number ten on The Harlem Hit Parade in 1944, and later rerecorded the song in the early 1960s.But as I neared my thirties I started to have a clearer concept of what I wanted to do next. "I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard.He, of Wombles fame, (though really that label should have long ago been replaced by “prolifically successful songwriter and producer”) signed Melua after seeing her in a showcase at the Brit School and bonding with her over a shared love of the late singer/ songwriter Eva Cassidy.He wrote her first massive hit “The Closest Thing To Crazy” and contracted her for a six album deal.
Melua began her singing career with the album titled Call Off the Search in the year 2003.With the ending of that deal, Melua decided it was time to go her own way. He listened in silence and then nodded – respect.” Which was a very accurate, critical analysis.It’s clear that it wasn’t an easy parting, and that Batt was far from happy to lose his protegee, doubtless telling her so in no uncertain times. I was 18 when I met him and he was such a strong leader. But we have made up now.” The now professionally independent Katie Melua has embarked on a new and intriguingly creative phase to her career. And, as was the case with Embraceable You, it was to have been included in Florenz Ziegfeld's East Is West, for which the Gershwins compiled a considerable score and which never made it to the boards.In the upshot, both numbers found adefinitive place in the Aarons and Freedley production, Girl Crazy, which opened at the Alvin Theater on October 14, 1930, for a run of 272 performances. Ira Gershwin recalled "her assurance, timing and delivery both as comedienne and singer -- with a no-nonsense voice that could reach not only the standees but the ticket takers in the lobby."It was first recorded by Keely Smith in 1957.